b. 1
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composition: Op. 30, Mazurka in D♭ major
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Differences in the wording of the title – see the Mazurka in C minor no. 1. category imprint: Differences between sources; Editorial revisions |
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b. 1
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composition: Op. 30, Mazurka in D♭ major
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The absence of the dedication in FC (→GE) suggests that the decision concerning a dedication came relatively late in the publishing process of the Mazurkas. See the Mazurka in C minor no. 1. category imprint: Differences between sources issues: Dedications |
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b. 9-10
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composition: Op. 30, Mazurka in D♭ major
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The hairpin, unless overlooked by the copyist, was added by Chopin in the stage of proofreading FE or to the basis of FE. One can assume that while correcting FC Chopin simply overlooked this place – cf. analogous bars 79-80. category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 9-24
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composition: Op. 30, Mazurka in D♭ major
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Staccato dots under (over) the bass notes are present in this theme both in FC and FE in the vast majority of cases (we take into account both the discussed bars and their counterparts upon the return of the theme (bars 79-94). The distribution of the bars devoid of dots is certainly accidental, hence in the main text we give them in all bars. category imprint: Differences between sources; Editorial revisions issues: Errors in FE , Errors of FC |
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b. 9
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composition: Op. 30, Mazurka in D♭ major
category imprint: Differences between sources issues: Errors in GE , GE revisions |